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The silhouette for Spring 2012 seems a little more masculine and a little more fitted than the previous collections. What would be the reason for this? There still seems to be some drapery on a few lapels, and in the soft fabrics used, but overall, it seems to generally be more manly.
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They are very confident clothes and I wanted to convey sexuality.
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I noticed that you knotted the shirts in a couple of the looks, and you do this on your shirt as well. What inspired this?
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I was inspired by old Spanish farmers and French field workers.
There is a near-absence of black, and even shots of mint green in the collection. Why the choice of palette?
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I replaced the defensive black with a more engaging rich navy. The mint green was fabric I just couldn’t let go of once I found it.
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I see a lot of the use of cupro in your Spring 2012 collection. Could you tell us about this fabric and why you decided to use it?
I sourced west coast fabrics this season and cupro twill has a good weight, like presynthetic rayons.
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You are from LA, but you're now based in New York. How do these two cities play into your design process and how you curate your shop?
For design, the Spring is typically west coast and the Winter is more of an east coast concept. Maintaining as much of the amount of light I grew up with on the west coast is very important to my sense of well-being.
What do you like to wear?
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I wear the same thing all day and night for sure, and like to be casual. As long as I'm in my boots…
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How do you design?
Backwards. Vintage is the reference for technical attributes and history for aesthetics.
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Who wears your clothes?
Happy people.
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What is in the future for Assembly New York?
We are launching women’s for Fall 2012 and I want another shop, major moves...
lookbook photos via Assembly New York